By Sara Akter — 25 Jan 2026

My Name is Wendy

Wikapedia entry

Carole Gautier and Eugenie Favre- Paris based graphic designers.

Biography

“My Name is Wendy is a graphic design studio specialised in branding, typography, illustration, 3D & motion design”. (My Name is Wendy 2006)

My Name is Wendy was established in 2006 founded by two graphic designers, Carole Gautier and Eugenie Favre. This partnership brings together graphic design and artistic expertise. The studio produces brand identities, typefaces, illustrations, patterns, 3D projects and motion design.

“We work for the cultural world (luxury, fashion, art, music...), independent projects, small companies & multi-national brands.” (My Name is Wendy 2006)

The designers firmly believe that graphic design has a part in creating society's cultural landscape, whether through cultural or commercial endeavors. It enables us to pose questions about the world, connect with fascinating and gifted individuals, and provide culturally rich forms, messages, or resources.

In the book ‘Femme Type’ it states that, ‘My name is Wendy’ is a studio in Paris made up of graphic designers; Carole Gautier and Eugenie Favre. They work to create high-impact, bold graphic solutions utilising type as one of the main visual elements.

The book also states that ‘My name is Wendy’ worked with a magazine company called ‘Within Magazine’. According to ‘Femme Type’ - “Within magazine exists to do three things: challenge the status quo of leadership in design and technology, share practical wisdom for creating environments where all people thrive and amplify stories of more diverse leaders. More than a magazine, Within is a community that is driving design towards a more diverse and inclusive future.” (Within Magazine, 2018 Femme type).

My Name Is Wendy's graphic style frequently incorporates bold geometric shapes, eye-catching typographic compositions, and unusual visual structures. The studio's work has been described as having a collage-like look that strikes a balance between visual impact and conceptual depth.

A website called ‘People of Print’ Talk about ‘My Name is Wendy’, a post by ‘Anna Chayasatit’ says Carole Gautier and Eugenie Favre have worked together and have been in close collaboration with a broad range of international clients since 2006. "Looking at their graphic work is like looking at a collage – partly surreal and almost entirely rendered in solely black and white. Their work is defined by standout shapes and forms, and/or typographic elements, against bold backgrounds". (Anna Chayasatit, July 1 2014 People of Print)

Notable Projects

From the Website ‘Its Nice That’, the D/I/M/E/N/S/I/O/N series, which blurred the distinction between letterforms and sculptural shapes by transforming typographic forms into abstract objects and settings, is one of the studio's first famous works. “they created a series of posters in which they reinterpreted the familiar forms of letters as objects”. (Maise Skidmore, 31 March 2014 Its Nice That)

Turnover, a typeface concept that the studio unveiled in 2019, is defined as "both a typeface and a series of shapes that can be choreographed together." (Jynann Ong, June 3 2019 Its Nice That). The approach of incorporating typography and graphic forms into dynamic, visual systems is reflected in this piece. The Paris-based firm ‘My Name is Wendy’, spends its time between self-directed typographic projects and commercial work as "type designers that work with commercial projects." (Jynann Ong, June 3 2019 Its Nice That)

Exhibitions, online articles, workshops, and talks have all highlighted My Name Is Wendy's work, demonstrating the studio's involvement with the larger design community. Additionally, they have a separate store called ‘My Name is Jack’ where they sell fonts, illustrations, and limited edition posters. “My Name is Jack is an online shop offering for sale limited edition posters and illustrations as well as fonts created by the graphic design studio My Name is Wendy” (My Name is Wendy 2024)

The artistic and graphic effort managed by the global company ‘My Name is Wendy’ is reflected in the collection of works suggested on ‘My Name is Jack’.

Graphic posters in limited edition of 50 copies.Signed & numbered by graphic design studio My Name is Wendy

Challenges Faced by My Name Is Wendy

Balancing Originality with Usability in Typeface Design-

Developing unique and practical typefaces is one of the studio's continuous professional challenges. In interviews regarding their Blackjack typeface, the designers stated that there are "lots of typefaces that exist" (Jynann Ong, November 30 2020 Its Nice That), and that it's challenging to strike a balance between creativity, originality, and usefulness while creating new fonts. This draws attention to a typical conflict in font design between creativity and practical intelligibility. The designers also state that they “never plan to design a typeface when it’s not a commission. Instead, the process happens naturally and all by itself.” (Jynann Ong, November 30 2020, Its Nice That).

Evolving Creative Practice Amid Industry Trends-

Given the wide range of abilities they provide, from typography to 3D and motion design, there is a need to move quickly and adjust as design trends change. They recognise that maintaining relevance in a rapidly evolving field presents a difficulty.

No Documented Scandals or Public Backlash-

There are no known significant controversies, such as legal disputes, ethical scandals, plagiarism charges, or public disputes directly involving My Name Is Wendy or its founders in the mainstream design community, according to a thorough examination of the design press and web search results. Instead than focusing on disagreements or unfavorable events, the majority of media coverage of the studio highlights their work, creative process, collaborations, and visual output.

General Critical Reception

People of Print acknowledge the stunning and unforgettable visual feel of their work, describing their graphics as "like looking at a collage – partly surreal and almost entirely rendered in bold black and white." Design magazines like Ficciones Typografika have published their creations. (Anna Chayasitit, July 1 2014 People of Print)

According to People of Print, the studio's work has a "impressive roster of clients and projects," highlighting their widespread popularity and esteem in the graphic design community. (Amber Weaver, April 25 2019 People of Print)

My Name Is Wendy is frequently described as extremely imaginative, aesthetically striking, and philosophically intriguing by design journalists and reviewers. Their work is often praised for its powerful use of typography, innovative forms, and striking visuals.

Overall conclusion

In the global design community, My Name Is Wendy is recognized as a reputable, significant, and constantly creative graphic design studio. The Paris-based firm has established a solid reputation for daring typographic experimentation, eye-catching visual systems, and a practice that comfortably switches between self-initiated artistic research and commercial work over the course of nearly 20 years of operation.

Their work is typically regarded as unique and innovative by colleagues, critics, and design publications. They are especially commended for their capacity to transform typography from static letterforms into dynamic, sculptural, and motion-based expressions. Their kind of projects, like Turnover and Blackjack, are frequently used as illustrations of how experimental design can maintain usability and functionality—a balance that is challenging to attain and highly prized in the industry.

Crucially, there aren't any significant scandals, public debates, or moral dilemmas connected to the moniker My moniker Is Wendy. The difficulties they encounter, including maintaining originality in a crowded design market or striking a balance between experimentation and customer demands, are typical of top creative companies and do not indicate a lack of credibility. Rather, these difficulties are frequently presented in a positive light as proof of an active, developing practice.

All things considered, My Name Is Wendy is regarded as an established, culturally aware studio that has effectively preserved its relevance, legitimacy, and artistic autonomy. Their work is regarded for its intellectual rigor and long-term contribution to modern graphic and typographic design, in addition to its aesthetic appeal.

Bibliography

-Anna Chayasitit (July 1 2014)

People of Print- My Name is Wendy

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